Lucas & Arthur Jussen

Concert in celebration of the Amsterdam Concertgebouw’s 125th anniversary

02 10 2012

Concert in celebration of the Amsterdam Concertgebouw’s 125th anniversary

Menahem Pressler not only is an extraordinary musician, he also is a great teacher. And no talent can thrive without a teacher. That is why in this most recent anniversary concert in the Recital Hall master and student meet in various ways for a festive programme centred on the future. Menahem Pressler not only celebrates his ninetieth birthday, surrounded by the young Fancy Fiddlers, but also performs together with his young Dutch student Lucas Jussen.
Lucas Jussen is the eldest of the Jussen brothers who over the last years are becoming a craze at the grand piano. Both together with his brother Arthur and as a solo player, Lucas Jussen features among the greatest future stars. The fact that in the Concertgebouw he stands next to Menahem Pressler has everything to do with the great store the Concertgebouw sets to young musicians. Not only in series such as Rising Stars and ‘Jonge Nederlanders’ (young Dutch musicians), but also in combination with renowned musicians who serve as an inspiring example.

Concert : 20 December 2013 – Kleine Zaal Concertgebouw

Schubertiade

24 09 2012

Schubertiade

Sunday September 23th, 2012

In the Evening Concert on Radio 4 you can listen to the brothers Lucas and Arthur Jussen. In the Vredenburg concert hall, a true Jussen Weekend was organised on these successful pianists. In Vredenburg Leeuwenbergh, among others together with the Rubens Quartet, they held a Schubertiade, focusing on Schubert in various instrumental casts.
Schubert’s Arpeggione Sonata and the Trout Quintet are mirroring each other as it were. The Arpeggione Sonata mainly is dreamy and melancholic. The Trout Quintet, written during the carefree summer of 1819, radiates energy and optimism, written by a composer who obviously did not worry about the holy seriousness that surrounded chamber music in his time. With this diptych full of contrast, Arthur and Lucas Jussen and the Rubens Quartet demonstrate their versatile talents.

Arpeggione Sonate D821; Forellenkwintet D667; Fantasie D940; Strijkkwintet `Die Forelle` D667; Frühlingsglaube; Der Einsame; Der Jüngling und der Tod; Der Schiffer
Listen here to the concert of 22 September 2012, Leeuwenberg Utrecht

Arthur: Beethoven Piano Concerto No.2

23 09 2012

Arthur: Beethoven Piano Concerto No.2

On Sunday 23 September, Arthur Jussen was the soloist in Ludwig van Beethoven’s Second Piano Concerto. He was accompanied by the Netherlands Radio Chamber Philharmonic under the direction of Frans Brüggen in the Main Hall of the Amsterdam Concertgebouw.
Listen here to the recording of the entire concert

Lucas: Beethoven Piano Concerto No.3

21 09 2012

Lucas: Beethoven Piano Concerto No.3

Friday 21 September Lucas Jussen was the soloist at the Vrijdag van Vredenburg.
With the Netherlands Radio Chamber Philharmonic under the direction of Frans Brüggen, he played Ludwig van Beethoven’s Third Piano Concerto.
Just before the concert was broadcast, Thea Derks spoke with Lucas on how he felt about being presented as the ‘Jussen brothers’ time and again, about his love for Beethoven and his collaboration with Frans Brüggen.

During the break Thea Derks spoke with Frans Brüggen about his work with Lucas Jussen and Beethoven’s music. ‘If Beethoven had lived now, he would have been called John Cage.’
Listen here the entire broadcast (Lucas starts playing at 34’00”), or the individual interviews.

Arthur plays with the North Netherlands Symphony Orchestra

03 05 2012

Arthur plays with the North Netherlands Symphony Orchestra

An interview with Arthur on the eve of the three concerts he is going the give with the NNO

“I was very surprised to hear that I, just like my brother, was invited to play with the North Netherlands Symphony Orchestra. Really great!”
“The Piano Concerto by Grieg simply is a very nice piece, in the first place because of its virtuosity. That is what you are doing it for, being a pianist. And it also has a wide variety of atmospheres and moods, at times very bombastic or quite intimate. It is like racing through a rollercoaster.”
“Obviously, working with an orchestra is different from playing with Lucas. We know exactly what we can expect from each other. An orchestra is an entity consisting of so many different individuals which I do not know yet. That is quite exciting but I really look forward to it. We do have rehearsals first, don’t we? And then no less than three performances. Time enough to make something beautiful of it together!”

Great sense of style and timing

11 04 2012

Great sense of style and timing

AD / Den Haag – April 10th, 2012
by Herman Rosenberg

What does one like the best of the piano playing brothers Lucas and Arthur Jussen? Not that they are young (19 and 15 years) and almost look like twins. That is nothing new anymore. No, what makes a concert like the one given last Sunday in the Philips Hall so nice is the boys’ frankness and the utter absence of starlike airs. Yes, they are stars, but only when they are playing the grand piano. Once they get up and bow, they are just two ordinary Dutch lads, a little bit shy even.
Just like they said in an interview with this newspaper: for them there only is one thing that counts – the music. By Beethoven in this case. The Jussen brothers demonstrate why Deutsche Grammophon wanted to record their interpretations of this composer and why the CD got platinum. Their Beethoven sounds pure, bright and natural, and they show they are very receptive to the temperament of the master, who often was angry or sad but at times could also show a great sense of humour. In particular Lucas’ interpretation of the Sonata no. 17 “Sturm” was of a moving beauty.
In fact, the fourhanded pieces of music (something they have to do because everyone likes that so much) were a side issue. But in that too, the brothers demonstrated a great sense of style and timing. Lucas and Arthur did not know when to stop, as three encores followed after the concert.

Lucas Jussen joins in the best piano tradition

14 03 2012

Lucas Jussen joins in the best piano tradition

De Stentor
by Maarten Mestrom – March 14th, 2012

When the Jussen brothers came on, the question was whether it would appear to be a media hype, these two fresh blond-haired, piano prodigies with a striking resemblance. Now they also perform individually – fortunate enough with the repertoire in which they (for the time being) are the best – a negative answer to this question is becoming clearer and clearer. For Mozart you need to have the soul of a child. They frankly and fearlessly just play what it says, without putting the ego in between. And playing Mozart that is what Lucas Jussen (1993, the elder one), who was the solo player with the Gelders Orkest in Apeldoorn last Tuesday evening, does really well. No pointless virtuosity, no power play, hardly any pedal and a bright crystallized pianissimo, with which he joins in the best piano tradition.
(…)

Nine master pianists at one single concert...

13 03 2012

Nine master pianists at one single concert…

Trouw – 13 maart 2012
by Christo Lelie
Photo: Dennis Sies. Arthur and Lucas Jussen, Alexander Gavrilyuk, Severin von Eckardstein

Nine master pianists together on stage at one single evening to celebrate the 25th anniversary of the Master Pianists series in the Main Hall of the Amsterdam Concertgebouw last Sunday evening. In this quarter of a century, the organiser Marco Riaskoff has developed his piano series into the largest and qualitatively most interesting of the Netherlands. The international radiance of the series was reflected in the participation to the jubilee concert by world famous stars. The presence of her Majesty the Queen gave the evening even more splendour. (…)
After the first break a second grand piano appeared on the stage. Now it was the young Dutch piano brothers’ turn. Arthur and Lucas Jussen, who already debuted during the concert in celebration of the twentieth anniversary of Riaskoff’s series as substitutes for Martha Argerich in 2007. As duo pianists, they held their ground among their much more famous and older colleagues. They played an adaptation of Dukas’ Sorcerer’s Apprentice by heart and with understanding of the original orchestration.
(…)

Wise lessons of life from Lucas Jussen

12 03 2012

Wise lessons of life from Lucas Jussen

De Gelderlander – Saturday March 10th
by Maarten-Jan Dongelmans

In the overcrowded, Arnhem-based Musis Sacrum, Mozart with Lucas Jussen as a pianist and Mahler with Martin Sieghart directing, attract a massive audience this Friday evening. The regular, mostly elder public of the Gelders Orkest (HGO) is supported by groups of youths, and that looks promising. Even the introduction is now done in the main hall, as a delegation of a secondary school also wishes to attend the concert. Young and old are very enthusiastic and manage to have Lucas Jussen (1993) play an encore (a Song without Words by Mendelssohn) even before the break. There definitively is an explanation for this storm of applause and Lucas’ choice. The eldest of the two piano playing brothers gives a technically outstanding interpretation of Mozart’s Piano Concerto no.20, KV466. His approach is decisive, clean and not very emotional (while this, however, is one of Mozarts’ most dramatic concertos). Making the grand piano sing an intimate Song without Words is a remarkable move. I see it as a silent goodbye of a much older person wishing to share wise lessons of life with his audience, instead of bringing groupies into ecstasy. I find this very special: so introverted with such a young soloist.
(…)

Jussen brothers steal the show

14 02 2012

Jussen brothers steal the show

Haarlems Dagblad – 13/02/2012
by Ynske Gunning
Photo: Dennis van der Kruis

(…) the brothers are a crowd puller but most and for all because of their beautiful piano play. Both play with great respect for the composer. Beethoven’s music is interpreted so careful and yet so free. Both Lucas and Arthur take all the time they need for phrasing. They do not add any frills or exaggerated expression, but let the beauty of Beethoven’s piano music speak for itself. In the fourhanded pieces the balance is perfect and naturally enlightens the motives and themes. They play with an inescapable logic, with an entirely natural feeling for the music. Really fantastic. And the three encores as well. A majestic final of a successful ‘48 hours of Beethoven’.

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